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Gerry Hart

  • Landscape image showing mountains in the background and a lush green forest in the foreground

    The movement to save Virunga National Park

    A beloved national park in the Democratic Republic of Congo is facing devastating oil exploitation. Pascal Mirindi tells Ananya Wilson-Bhattacharya about the local resistance movement

  • A large, barren quarry used to extract lithium in Chile

    Volt Rush – Review

    Henry Sanderson’s account of capital’s increasing interest in green technology should be cause for alarm, not relief, argues Madoc Cairns

  • A group of people sitting on the floor, heads down, waiting

    Cinema on the move

    Inventive films are helping shift migration narratives from suffering to empowerment while expanding the politics of possibility, argue Lily Parrott and Laura Stahnke

  • Two wind turbines in an arid landscape in the foreground, leading out to the sea and a distant mountainous island or peninsula

    Tunisia’s struggle for energy democracy

    Tunisian unions are not only fighting for better terms and conditions in the energy sector. They want democratic control, writes Ilyes Benammar

  • Photographs of three of the five women features in Red Valkyries (From left to right: Alexandra Kollontai, Nadezhda Krupskaya, Lyudmila Pavlichenko)

    Red Valkyries – review

    In exploring the lives of the revolutionary socialist feminists of the past, Red Valkyries demonstrates the value and importance of feminism in the 21st century, argues Rachel Collett

  • President of Colombia Gustavo Petro waving to his supporters during his inauguration

    Latin America’s new ‘Pink Tide’

    Pablo Navarrete reports on the resurgence of the left in Latin America

  • A man with a bandaged face and a traffic warden uniform standing guard with a rifle in a still from the 1984 film Threads

    Navigating the apocalypse through popular culture

    From plague and pandemics to zombies and ‘cli-fi’, apocalyptic narratives have long reflected and shaped the anxieties of our age, write Siobhan McGuirk and Marzena Zukowska