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Gerry Hart

  • A group of politicians, diplomats and military officials standing in a row for a photograph for US President Joe Biden's visit to Israel's Department of Defence

    The Iron Dome is global – and so is the resistance

    In her powerful speech at ‘Still We Rise’, Naomi Klein argues that global political classes are united behind a shared supremacist vision in their defence of Israel’s crimes

  • The interior of an office, showing several desks with computers on them

    My work – review

    Olga Ravn’s latest novel reflects the growing and ever changing demands that work subjects us to, writes Elinor Potts

  • Rubble and destroyed buildings in Gaza city following an Israeli airstrike

    Targeting infrastructure is an assault on Palestinian futures

    Israel’s attacks on Gaza’s infrastructure are a deliberate effort to make the conditions for life impossible for Palestinians, writes Dominic Davies

  • A bitcoing machine illuminated with multiple coloured lights in a shopping centre in Gdańsk, Poland

    Blockchain Radicals – review

    Cryptocurrency and blockchain might be here for the long haul, but Dávila’s book shows how they can be repurposed by the left, writes David Z. Morris

  • A black and white photo of a sculpture depicting a family of four holding hands, with both parents at either side

    Family Abolition – review

    O’Brien offers a radical and exciting argument for a liberative approach to care, writes Matt Seidel

  • A black and white photo of Rock against Racism protestors, holding banners and placards, marching near the National Gallery in London in 1978

    Why ‘no platform’ still matters

    Despite recent fearmongering from the right, ‘no platforming’ is an invaluable anti-fascist tactic with a long and storied history, writes Evan Smith

  • Three members of the band Gorgoroth wearing black and white facepaint playing live

    Tonight It’s a World We Bury – review

    Bill Peel’s book provides a compelling case for black metal having potential to be a revolutionary artform, writes Gerry Hart